I'm out in LA these days, but my literary education happened in Brooklyn. The borough raised me, shaped my voice, gave me the instincts that eventually became Loverboy, Still. Even now, when I come back — and I come back often — I find myself walking the same blocks, stepping into the same bookstores, looking for the same thing I was looking for when I was nineteen and didn't know I was a writer yet: proof that someone else had seen what I'd seen.
Brooklyn's literary scene in the 2020s is quieter than it was a decade ago, but it's deeper. The hype has settled. What's left are the real institutions — the bookstores that never treated books like décor, the reading series that prioritized voice over followers, the presses that published work they believed in even when the market didn't care yet. If you want to know where to read literary fiction in Brooklyn right now — not just buy it, but read it, sit with it, talk about it with strangers who care — here's where I'd send you.
Start at Greenlight
Greenlight Bookstore in Fort Greene is the closest thing Brooklyn has to a literary living room. I've spent entire afternoons there, sitting on the floor near the fiction stacks, reading first chapters of novels I couldn't afford yet. The staff here knows their inventory the way a good bartender knows regulars — they remember what you liked last time, and they'll hand you something you didn't know you needed. Their event calendar is stacked: readings from writers like Colson Whitehead, Ocean Vuong, Jamel Brinkley — people doing the work I want my own novel to be in conversation with.
When I was drafting Loverboy, Still, I'd go to Greenlight just to remind myself what a finished book felt like. The weight of it. The fact that someone had done it — had taken the mess of trying to articulate love and loss and Blackness and Brooklyn and turned it into pages that could sit on a shelf next to Memorial or On Earth We're Briefly Gorgeous. It made the work feel possible.
Community Bookstore for the Quiet Ones
If Greenlight is the living room, Community Bookstore in Park Slope is the back porch. Smaller, quieter, the kind of place where you can sit with a novel for two hours and no one will bother you. Their fiction section skews literary — they stock Morgan Jerkins, Mitchell S. Jackson, Saidiya Hartman — and their staff recommendations are always on point.
I used to come here when I needed to get away from my own manuscript. When the work felt too close, too raw, too much like my own life bleeding onto the page. I'd pick up something by We the Animals author Justin Torres or Black Buck by Mateo Askaripour and remember that the discomfort was the point. That's what literary fiction does — it sits in the thing you don't want to look at until you can't look away.
WORD for the Emerging Voices
WORD Bookstores in Greenpoint (and now Jersey City) has always championed debut authors and emerging voices. Their events lean heavily on literary fiction, and they're one of the few bookstores that'll give a debut novelist the same stage time they'd give a Pulitzer winner. I respect that deeply. When you're coming up, you need spaces that treat your first book like it matters — because it does.
WORD is where I've seen some of the most electric readings. Writers reading work that isn't polished yet, that still has the heat of the first draft in it. That's the energy I wanted Loverboy, Still to carry — not the cleaned-up, workshop-approved version, but the raw thing. The messy love. The Brooklyn that raised me, not the Brooklyn that got written about in The New Yorker.
The Scene That Stays With You
In LA, everyone's in their car. In Brooklyn, you're on the train with someone reading Heavy by Kiese Laymon, you're at the bodega and the clerk is arguing with a customer about whether The Prophets by Robert Jones Jr. is better than Baldwin. Literature isn't separate from life here. It's part of the texture.
That's what I tried to capture in my novel. Gregory Mitchell, the protagonist, is a Brooklyn kid trying to figure out love in a place where everyone's got an opinion and no one's got answers. The bookstores, the readings, the late-night conversations on stoops — that's the ecosystem that made him. That made me.
Where to Go Next
If you're in Brooklyn and you want to plug into the literary fiction scene, start with these three bookstores. Go to the readings. Buy the books. Talk to the staff. The community here isn't just about consuming literature — it's about being in conversation with it. That's what I learned coming up, and it's what I hope readers find when they pick up Loverboy, Still: a book that wants to talk back.
The novel is set in Brooklyn because Brooklyn is where I learned what love looks like when it's not neat. When it's complicated by class and race and masculinity and the city pressing in on all sides. That's the Brooklyn I grew up in. That's the Brooklyn these bookstores still hold space for.
If you want to see what I made from all those years reading in Fort Greene and Park Slope and Greenpoint, you can get Loverboy, Still here. It's a love letter to the borough that raised me — and to everyone still trying to figure out what it means to love someone in a place that makes love this hard.
Shop the books from this essay
- Memorial — Bryan Washington
- On Earth We're Briefly Gorgeous — Ocean Vuong
- Heavy — Kiese Laymon
- We the Animals — Justin Torres
- Black Buck — Mateo Askaripour
Bookshop.org supports independent bookstores — every purchase splits revenue with an indie shop of your choice. Affiliate links; Joseph earns a small commission at no cost to you.

